Tag Archives: DC

Superman vs the Tech Bros

I just watched the new James Gunn Superman movie for the second time on the big screen. What stands out most for me was not David Corenswet’s supremely noble yet authentically flawed human portrayal of Superman, nor was it Nicolas Hoult’s disquietingly relevant embodiment of a deeply flawed modern tech-genius. Rather it was Lex Luthor’s staff of willing, even exuberant, tech bro employees.

The intentionally discordant portrayal of these fresh-faced henchmen (and equally women) has been widely noted and discussed, but I don’t believe it has been specifically written about as much as is deserved.

Traditionally in comics, and in their movie renditions, the henchmen of the named villain are invariably stupid, thuggish, and cravenly despicable individuals. They are the lackeys who actually perform the hands-on murder, mayhem, and destruction. The scientists who create the death rays that the villain will unleash are typically mad and insanely amoral.

But in Superman, Lex Luthor runs a very wholesome-seeming high-tech enterprise. He hires brilliant, mostly young, people. He clearly treats them well (most of the time) and presumably pays them quite well. These are young people who listen to upbeat music while they work and kick the soccer ball when they have some free time.

And they also high-five each other and express pride and glee as they unleash death and destruction.

When Lex’s tech bros remotely control their creations to torture, pummel, and kill they take great joy in their accomplishments. When they design armies of “bot chimps” (don’t ask) that deluge the public with lies and misinformation, they high-five each other. Even as the dimensional rift they created is leveling Metropolis, and is quite likely to go on to destroy the Earth, they show little concern about the horrific destruction and cost of human life, let alone any thought about their own complicity.

Perhaps most disquieting is at the end, after all that, when Lex is exposed in the media as a liar, they all turn toward him with surprised stares of shock and betrayal.

I don’t want to politicize this article too much by launching into a diatribe about the parallels to leaders like Musk and Trump. But I do want to hold this movie up as a stark mirror reflecting the true image of all those fresh-faced, music-loving henchmen who actually do the dirty work of lying and harming so many people to satisfy the insatiable ego of our deeply flawed, and all-too-real, super-villains.

Without all their enthusiastic efforts, these super-villains would be powerless.

The Demise of Superheroes

I’m going to go out on a limb and predict the imminent demise of the superhero movie genre.

You should care and I’ll tell you why in a bit.

As a superhero fan for most of my 60 plus years, this saddens me greatly. Don’t get me wrong, I’m so happy that I got to see all my comic book heroes come to life on big screens. But all good things must end.

It’s been a great run. While DC has always struggled to find its zone in live-action films, they still have offered some shining gems like the Dark Knight, Wonder Woman, Suicide Squad, and Aquaman.

Marvel, despite some duds, has been brilliant in offering an entire “universe” to “marvel” in. Hey, how many movie producers can you name that have given us dozens of epic movies and shows that you can watch in order like one continuously unfolding saga?

But even the amazing Marvel machine must eventually run out of gas.

Yes, Avengers: Endgame made nearly a billion dollars, and the more recent Spider-Man: No Way Home has come close to that, but these franchises have run their course. Most of its great heroes have been retired, killed, or have just become too familiar, too tiresome, telling their same origin stories over and over like some senile old grandparent. The James Bond franchise took great pains not to oversaturate their market and even they became tiresome, no longer exciting even young viewers.

Whether through desperation or sincere woke consciousness or both, Marvel’s current Phase 4 is overtly all about gender. Phase 4 represents the intentional female takeover of the genre, with female versions of pretty much every character, major and secondary, taking the reigns. Clearly a wokeness agenda is not to blame for killing the genre, but just because the genre is struggling to remain fresh and interesting doesn’t mean we should sacrifice it on the altar of a woke agenda (see here).

Comics have long demonstrated strong threads of social awareness, responsiveness, and leadership. As early as the 1970’s comics took on a lot of difficult social issues like drug abuse, sexuality, racism, and yes even gender inequality. But if the writers only care about the characters as vehicles to promote a social agenda, the stories suffer and fans see through that. That is how the proudly agenda-driven CW network has ruined most of the great DC heroes that they have been entrusted with.

And frankly female heroes are not going to revitalize the industry. It’s not that men don’t enjoy watching female heroes, particularly if wearing tight spandex, but they are not interested in a contrived She-Hulk. Fans can suspend reality enough to accept superpowers, but not enough to accept tiny Natalie Portman as the new Thor. Even Black Widow was a huge box office disaster.

The doubling down of gender in Phase 4 is only going to drive male fans farther away and it will not induce one new female to become a fan. Women who are not fans will pressure and fight to demand that there be more female superheroes, but they still won’t watch their movies let alone pay for them. Wokeness will only accelerate the demise of the industry.

You may ask, I’m not a superhero fan so why should I care?

You should care because not so long ago everyone was predicting the death of the movie industry. Soon, they said, all movie theatres would become extinct. That has not yet happened and superheroes have been a huge part of defying those predictions. Action/Adventure movies represent nearly 50% of movie revenue and the superhero genre represents the lion’s share of that revenue and excitement in general.

It has arguably been superheroes that have saved theatres and have kept it possible for you to still see Downton Abbey and all those Oscar winners on the big screen. If the superhero genre dies, movie theatres and much of the big-budget industry will likely soon follow.

I for one, will lament a world without blockbuster superheroes. And if you care about a vibrant big screen film industry, for yourself or for your kids to marvel at, you should not take any joy in their passing.

In the greater scheme of things, this should be a cautionary tale that coopting creative or other advocacy domains to serve wokeness or any other particular social cause, acts like a destructive parasite that only destroys its host and creates backlash against the cause being promoted.