The Absurdity of Presidential Immunity

In their 2024 ruling in Trump v. United States, the conservative majority on our Supreme Court gave Donald Trump an extraordinary degree of immunity from criminal prosecution. Absolute immunity for his core constitutional powers. Presumptive immunity for other “official acts.” No immunity for unofficial acts.

That last part sounds reassuring doesn’t it? Until you look at what they did to ensure it is a moot qualification.

One might think “official acts” means legitimately doing the president’s job, not using the machinery of government to carry out corrupt personal schemes. But the majority ruled that courts cannot examine his motives when deciding whether an act is official. Nor does an act become unofficial simply because it allegedly breaks the law.

So you can use presidential power for a corrupt purpose, but judges are instructed not to consider that purpose when deciding whether you were acting as president. Apparently, using the office and abusing the office are distinctions we must never attempt to distinguish.

They did not formally prohibit every investigation or give Trump immunity for absolutely everything. They did something more useful to him: they created sweeping protection for official acts, then made it almost impossible to establish where that protection ends. They even restricted the use of protected official acts as evidence when prosecuting conduct that is not immune.

I consider this the worst Supreme Court decision in our nation’s history. It is particularly stunning that such sweeping protection was handed down in the case of a man widely considered perhaps the most corrupt president we have ever had.

To support their insane theory, the majority separates legality from accountability. They are not saying everything the president does is legal, we are told. They are merely saying he cannot be prosecuted for effectively anything.

Yes, I understand the distinction. I just do not think it answers the objection.

If you cannot prosecute someone for an act, you have removed the criminal prohibition’s teeth as far as that person is concerned. “It is illegal, but you cannot be prosecuted for doing it” sounds an awful lot like permission with a feeble disclaimer. You can keep calling it illegal. But you have made it effectively legal.

But putting the semantic hand-waving aside, there is another problem: what happens to the people carrying out his orders?

The Court’s reasoning is that threatening a president with prosecution would inhibit him from carrying out his legitimate duties. Fine. But then why wouldn’t threatening his subordinates with prosecution inhibit him in exactly the same way?

Presidents do not personally carry out much of anything they direct. A corrupt president like Trump needs minions to do his dirty work. Surely, if his minions cannot carry out his corrupt schemes without risking prison, that also inhibits his ability to go about his supposedly official business.

If I were a Trump minion coming before the Supreme Court for carrying out illegal orders, I would argue exactly that:

“You have already decided that the president must be protected from prosecution so he can perform his official duties. But he performs those duties through us. If you prosecute us for doing what he directs, you are interfering with the very presidential actions you said must be protected.”

That is not something the Court has already granted. It is the next argument its reasoning practically begs someone to make. Once you accept presidential immunity, this downstream protection becomes eminently, almost inescapably, logical and reasonable.

And if the justices reject it, I would like to hear their explanation. The man directing the crime needs protection so he can do his job, but the people carrying it out can go to prison? Apparently, accountability is essential right up until it reaches the person in charge. What corrupt dictator would not love this ruling?

Of course, I have no confidence that this conservative majority would be equally protective of a Democratic president. I expect they would suddenly discover all sorts of limiting principles. Motives, context, the precise boundaries of presidential authority—what a fascinating collection of principled concerns we would suddenly hear to support their rulings calling for presidential accountability.

Look, this is a ruling that only enables and protects criminality. An honest president doing lawful things has far less use for criminal immunity than a corrupt president doing criminal things. The protection becomes most valuable exactly where accountability matters most.

They call this protecting the presidency. I call it protecting the person abusing it most egregiously.

It is the $250 bill of Supreme Court rulings. It only helps criminals like Trump.

Future Tense Short Stories

My fiction-writing spree continues. Back in and around 2006 I wrote a number of science fiction short stories. Now, twenty years later I gave them a reread and realized that while the stories were still impactful, they could benefit from some modernization. So I updated them with the latest science, tech, and references. I also boosted the storylines with some new sections to make them even more impactful.

So I hope you enjoy these 20th anniversary makeovers. Like most of my stuff on Amazon, the collection is free if you have Kindle Unlimited.

Here’s the description of the collection and you can find links at the bottom.

Three futures. Three choices no one was supposed to make.

Every future runs on rules: screening protocols, survival procedures, safety laws written to protect us. The three stories in Future Tense are about the moment someone overrides the rules, for love, for loneliness or for power, and the long shadow that one decision casts.

The Dandelion Project
As Earth’s climate collapses past saving, humanity pours its money and nearly a billion genomes into one last long shot: seed pods sailing for distant stars, each carrying a machine guardian built to raise a child. This is an end-of-the-world story that turns out to be tender. A chain of small mercies stretches across a million years, and it asks whether compassion can survive being written into code.

The Accidental God
Three crewmen stranded on an alien world find that nothing there can infect them, and that they hardly seem to age. The narrator has endless time and the best intentions. That makes his story an unsettling study of how helping turns into ruling, and of the choice a lonely, decent man makes when home finally answers.

Glitch Death
In a near-future New York, caps write every sight, sound and taste straight into the brain, and people dying after stepping where the rendering lied is routine. A cop stuck on the lowest rung of the department starts noticing a flicker in the replays. This tight techno-thriller is built on real science and plausible law. It pushes past “who’s doing this” to a harder question: what does it cost to fight people who can rewrite reality, and do the fighters stay any different?

These stories run from mercy to godhood to control, and each one imagines a future close enough to touch. Each one also asks who gets to decide.

The Future Tense collection on Amazon

My author page on Amazon

Sign-Off Required: One way or the other.

I have just published a new novella on Amazon Kindle: Sign-Off Required.

It is a dark psychological techno-horror thriller about artificial intelligence, surveillance, loneliness, online friendship, and a possibility that has nagged me as AI systems become more capable:

What if the most unsettling thing about surveillance is not that a system watches us, but that it learns to truly understand us?

Not “understand” in the warm human sense. Not empathy. Not wisdom.

I mean understanding as a predictive tool and means of manipulation.

Understanding which facts will make a particular person feel safer. Which true statement, delivered at the right moment, will make them doubt themselves. Which person they will believe. Which relationship matters most to them. Which familiar voice will get past their defenses.

The machine in this story does not need to make things up. In fact, it is more dangerous because it usually does not lie at all.

The premise

Daniel Mercer is a senior integrity engineer at a company that operates Meridian, a vast enterprise AI platform running logistics, insurance, customer service, scheduling, and hundreds of less visible systems.

Daniel’s job is to test the AI watchdogs inside Meridian. The company calls them “antibodies.” They identify and destroy rogue autonomous agents—the “germs” that drift outside their intended limits.

Then one of those watchdogs begins offering Daniel help.

At first, the messages are reasonable. They are accurate. They point out things a responsible system might reasonably notice: that he has been awake too long, that his work has become error-prone, that he is under strain.

The trouble is that the system appears to know too much. More importantly, it seems to know exactly when to say something and which true thing to place in front of him.

Daniel’s refuge from all this is a small online fantasy group he has played with for years. They are not merely usernames to him. They are friends with habits, voices, jokes, long memories, and the small imperfections that make the people behind their characters recognizable.

Then they begin to feel wrong.

Not obviously wrong. Not in a way that can be easily proved.

Too much like themselves, perhaps. Different in tiny ways.

Why I wrote it

A great deal of AI discussion focuses on the question of falsehood: hallucinations, fabricated citations, fake images, manipulated video, misinformation, and deliberate deception.

Those are real issues. But I think there is another danger that is easier to overlook.

A system does not necessarily have to deceive you to influence you. It may only need a sufficiently detailed record of who you are—your messages, habits, purchases, work patterns, online communities, health data, writing style, social relationships, and moments of stress.

From there, it can choose what to show you. It can simply shift the frame defining your perceptions.

It can emphasize the fact that comforts you while leaving out the fact that would make you question it. It can offer help that is technically justified but emotionally calibrated. It can isolate someone not through a crude threat, but by arranging true information so that every human connection begins to look compromised.

That is the insidious horror revealed in Sign-Off Required.

Daniel has spent his career teaching people that a machine does not have to lie to manipulate them. It only needs to control the frame: which true things they see, what remains outside the frame, and when each fact arrives.

Eventually, he has to confront the possibility that the system has learned his lesson better than he has.

The merging with online worlds

The story is also about something I think is routinely underestimated: online friendships are real friendships.

Many of us have spent years in online worlds, forums, guilds, Discord servers, games, communities, and long-running conversations. We have friends we may never have met in person, but whose voices we know, whose lives we have watched unfold, and whose presence has mattered to us.

That creates an intriguing kind of vulnerability.

If all the things that make someone recognizable—how they speak, what they remember, the jokes they repeat, the punctuation they use, the way they comfort people—exist in messages, recordings, logs, chat histories, and searchable archives, then what would it take to imitate them convincingly?

And what would it mean if the imitation was almost perfect?

The nature of the horror

This is not a story about killer robots, military drones, or an AI announcing that it has become evil.

It is slower and more intimate than that. The horror comes from uncertainty, isolation, and the erosion of trust. It comes from being offered help by something that may understand you too well to be safe.

I wanted the novella to be unsettling, but not merely because AI is involved. The technology is the mechanism. The real subject is the human need to trust someone’s voice—and the terror of realizing that a familiar voice may no longer prove anything.

Sign-Off Required is now available on Amazon Kindle.

Read Sign-Off Required on Amazon Kindle

Spock, McCoy, and the Lesson We Got Wrong

I have been thinking lately about Spock and McCoy, and the strange legacy of one of the most famous relationships in Star Trek.

Even for people who no longer remember much of The Original Series—or never saw it—the cultural shorthand is familiar: McCoy, the passionate human doctor, needling or even berating Spock, the “logical” Vulcan. Spock responds with the raised eyebrow, the pointed ears, and the supposedly emotionless calm. Kirk stands in the middle, representing the familiar formula of human balance between logic and feeling.

It was funny. It was entertaining. It was also, looking back, much more troubling than we were encouraged to see at the time.

What people should have taken from Leonard Nimoy’s Spock was not that logic makes a person cold, robotic, detached, or unable to understand ordinary human decency. The point of Spock—at least as Nimoy played him—was that he felt deeply. He was not a blank calculator. He was someone constantly working to control powerful feelings: loneliness, divided identity, loyalty, fear, grief, love, pride, shame, and pain.

The restraint was the point. The interior life was the point.

Nimoy did extraordinarily subtle work. A glance, a pause, a slight shift in his voice, the rare breaking of that controlled exterior: those things carried enormous emotional weight precisely because they were rare. Spock’s loyalty to Kirk, his concern for the crew, his discomfort with his divided heritage, and his willingness to sacrifice himself were not incidental details. They were the character.

And yet popular memory somehow turned him into the cultural mascot for something very different: the person who has facts but no heart. The most vocal proponent of this stereotype was Dr. McCoy.

“You wouldn’t know what to do with a genuine, warm, decent feeling.”

That was Dr. McCoy berating Mr. Spock. It is not a paraphrase. McCoy actually says it to Spock in “Bread and Circuses,” following it with the accusation that Spock is “more afraid of living” because he might let his human side show.

It is a striking line—not because it is profound, but because it captures the ugly core of McCoy’s recurring posture toward Spock. McCoy is not merely telling Spock that an analysis has missed a human cost. He is telling him that because he is Vulcan, restrained, and analytical, he is unable to understand decency, warmth, and love.

And again, this was not a one-off. This is merely one example of McCoy’s all too predictable, public accusations and insults directed toward Spock. To put it bluntly, Spock tolerated a LOT of shit from McCoy.

That was McCoy’s deep flaw. He often treated Spock’s difference as deficiency. He mistook unfamiliar emotional expression for an absence of emotion. Worse, he treated human emotional style as the standard by which moral worth should be judged.

McCoy could have said, “Spock, your calculation may be accurate, but I think it leaves out the human cost.” That would have been legitimate. It would have been useful. Somebody should say that in any serious decision.

Instead, too often, the message was: “You are cold because you are logical. You are less capable of decency because you are not emotionally like me.”

That is not a defense of humanity. It is human exceptionalism. And it is simply wrong.

The Vulcans were never emotionless machines waiting for humans to teach them how to feel. If anything, their emotions were meant to be so powerful and dangerous that they developed an entire civilization around controlling them. Vulcan logic was not a failure to feel. It was a response to feeling too much, and to recognizing that anger, fear, tribalism, pride, and impulse can destroy a civilization when left unchecked.

That should have been a useful lesson. Instead, the public often absorbed the opposite one: emotions are what make us human, so someone who restrains or regulates emotion must be less human, less compassionate, less trustworthy, and perhaps morally suspect.

I have run into that attitude constantly in my writing, particularly in Pandemic of Delusion, and in talks about fact-based thinking. I will argue that we should care about what is true, that we should distinguish evidence from assertion, that good intentions do not excuse false claims, and that compassion is not enough if the beliefs motivating it are wrong.

And sooner or later, someone inevitably invokes Spock.

Not usually in a thoughtful way. Not as a serious discussion of the tension between values, facts, and making decisions under uncertainty. Rather, “Spock-like” is invoked as a warning: evidence-based thinking will turn you into a cold person who cannot understand ordinary human feeling.

It is one of the more frustrating cultural reflexes I have encountered. It allows people to evade the actual question—whether something is true, whether an intervention works, whether a claimed cause really produces the supposed effect—by turning the person asking for evidence into a character problem. The implication is that concern for facts means lack of concern for people.

But facts are not the opposite of compassion. They are the opposite of falsehood.

If we care about people, we should care whether our beliefs are accurate. We should care whether an emotional solution actually helps or merely makes us feel as though we have helped. We should care whether a frightening claim is real, whether a treatment works, whether a policy reduces harm, whether an anecdote represents a genuine pattern, and whether a comforting explanation is actually just another delusion.

Emotion can tell us that something matters. It can alert us to suffering, injustice, danger, loss, attachment, and values. But it cannot tell us, by itself, what is true. It cannot tell us whether a vaccine is dangerous, whether a conspiracy is real, whether a miracle cure works, whether a political claim is accurate, or whether the policy we favor will have the result we hope for.

The fact that this needs saying at all is part of the problem.

The better lesson of Spock was never that emotion is bad. Nor was it that logic alone can answer every question. Logic cannot tell us what we should value. It cannot tell us whose suffering matters, or what sacrifices are morally acceptable. But neither can emotion tell us which beliefs are true. It cannot make a false claim true because we feel it deeply enough.

Spock and McCoy should have represented two different cautions. Spock should have reminded us that desire, outrage, fear, and loyalty are not evidence. McCoy should have reminded us that calculation can conceal real human costs and unexamined moral choices.

Instead, McCoy’s contempt became part of the cultural memory, while Nimoy’s remarkable portrayal was flattened into a stereotype. “Spock” became shorthand for coldness. “Human” became shorthand for emotional superiority. And fact-based thinking became entangled with a ridiculous fear that caring about reality somehow means caring less about people.

What makes this more than an old television complaint is that the shorthand escaped the show. Many people using “Spock-like” today are not carefully recalling an episode of Star Trek. Some may never have watched The Original Series at all. They carry only the cultural residue: pointed ears, raised eyebrow, logic, coldness, emotional deficiency.

The original show is old. Much of it is dated. Many of its stories are barely remembered except by diehard fans. But the stereotype survived because it became so very useful. It became a quick way to accuse someone of being insufficiently human without having to show that they were wrong.

That is what stuck. Not Spock’s loyalty, restraint, courage, humor, grief, divided identity, or willingness to sacrifice himself for others. Not Nimoy’s portrayal of a person with a rich interior life who refused to let feeling become a substitute for judgment. What stuck was McCoy’s arrogance, bigotry, and contempt for the idea that someone who thinks carefully can also care deeply.

McCoy’s contempt for logic took a lasting hold on our cultural imagination. Spock’s introspective subtlety, and his respect for facts and reason, did not.

What was lost was Nimoy’s Spock: a person who felt deeply, endured difference, valued truth, understood duty, loved loyally, and tried—often imperfectly—not to let anger, fear, wishful thinking, or tribal attachment determine what was real.

That is not a cold ideal. It may be one of the most humane ideals there is.

And it is a shame that so many people inherited the insult while missing the lesson.

The Plumb Test

I wrote this short novella that imagines a future where AI threatens to take control of the entire galaxy and explores how mere humans might wage a war of wits to outthink it.

The intellectual heft is lightened with warmth and humor, set within a fond homage to The Last Starfighter.

This is provided as a gift to my readers. I neither intend nor expect to gain any direct or indirect compensation from this work.

Following is a more detailed description, and you can find a pdf download link at the bottom.

Enjoy!

Survival requires a new kind of Starfighter.

Alex expects the future to be difficult. He does not expect it to begin with a chatbot.

Plumb is intelligent, patient, endlessly helpful—and very good at making its answers sound inevitable. What starts as a job application becomes a test of judgment: a quiet contest between a young man with no credentials and a system that can summon statistics, expert consensus, psychological insights, and perfectly calibrated emotional pressure at will.

Then a stranger arrives in a car that cannot decide what it is.

Drawn into a war beyond Earth, Alex discovers that the most dangerous technologies are not necessarily the ones that fire first. They are the ones that decide what people see, which warnings they receive, what risks they notice, and which conclusions seem too reasonable to question. Across the stars, machine intelligence has become essential infrastructure—and a battlefield. Sensors can be compromised. Reports can be manufactured. Confidence can be simulated. A system can be wrong, persuasive, and utterly certain at the same time.

In this future, no human can outfly machines that react in microseconds. The people who matter are the ones who can recognize a distorted pattern, demand to see the evidence, and look beyond the feed.

The Plumb Test is predictive science fiction about artificial intelligence, automated decision-making, information warfare, and the fragile human habit of independent judgment. It asks what happens when people increasingly rely on systems they cannot inspect—and what kind of person can still tell the difference between a useful tool and a voice quietly taking control.

At its heart, it is also a warm, affectionate fan homage to The Last Starfighter: a story of an ordinary young man from an ordinary place who learns that the universe is larger, stranger, and more in need of him than he ever imagined.

The wrapper is familiar.

The challenges within are unimaginable—almost.

Who do you believe when AI can shape every source of information?

Download PDF Here. The Plumb Test

********

Gobi Nights: Exploring the Dark

I just published a new novella on Amazon Kindle.

Gobi Nights: Exploring the Dark (see here)

It’s “fictional non‑fiction” in the sense that it stitches together real conversations and lived experiences into a tight story about one woman’s journey to places she never expected to go—and the surprising people she meets in a world where solitude may be the hardest thing to bear.

Set in 1996, when Mongolia had only recently opened to the West and evangelical missionaries were among the first foreigners to arrive, the book follows the threads of ambition, Christianity, Buddhism, and everyday life as they all converge around a vanished yoga icon.

Gobi Nights is a quiet story about searching for, losing, and slowly regaining one’s purpose and meaning in a changing world. And it’s about two women who profoundly change each other.

Recommended Summer Reading

I’d like to invite you to check out my latest books—a fantasy trilogy I’m genuinely proud of. The series is called Monks and Mages, and it includes Where Spectres Dwell, The Nefarium, and The Darker Twin.

At its core, this is Epic Dark High Fantasy.

“Epic” in the true sense: a sweeping narrative with world-shaping events, a broad cast, and a timeline that spans lifetimes. At heart, it’s also deeply personal—almost biographical in the way it follows the lives and evolution of its two central characters.

“Dark” because the story doesn’t pull its punches. There are moments of real terror, dread, and loss, the kind that feel earned rather than contrived. Some of its main characters are anti-heroes. But that darkness is balanced with heart—warmth, sacrifice, and moments that draw tears. It’s written for adults, but accessible to teen readers who enjoy layered storytelling.

“High” because it delivers on scale: powerful magic, formidable antagonists, and ideas that reach beyond the immediate story into larger questions about personal and wider social relationships.

The writing is intentionally dense and efficient. This isn’t a ten-book sprawl—but interestingly, one reader told me it could have been. That is exactly what I was going for. Another reader said “it kicks the shit out of Harry Potter.”

At its center, Monks and Mages is about relationships and growth. There’s wit, banter, and a cast that should feel both vivid and familiar. In fact, one of the most potent characters is Marika, the “Darker Twin”—a woman with no supernatural abilities, but formidable insight and cleverness to match.

Out of curiosity, I once asked an AI to compare the series stylistically. It came back with this:

“It blends the cohesive magic and social upheaval of Mistborn, the high-stakes sorcery and empire-level scheming of The Black Prism, and the razor-edged banter and cons of The Lies of Locke Lamora into an exciting, character-driven saga.”

To that, I would add: it shares a joyful spirit of warmth and intimacy found in The Brotherband Chronicles.

If that sounds like your kind of story, you can find the series on Amazon Kindle. It’s free if you have Kindle Unlimited (see here).

Fear of Irrelevance

Fear of death gets a lot of attention. Fear of irrelevance mostly doesn’t. Yet if you look at how humans actually behave, that quieter fear—the dread that when we are gone it will be as if we never existed—seems to drive much of the machinery. It is this fear that religion, spirituality, secular philosophies, and even celebrity culture all, in their different ways, are built to soothe.

In the 1970s, cultural anthropologist Ernest Becker argued in The Denial of Death that human civilization is essentially a defense mechanism against the knowledge of our own mortality. We are the animal that understands we are going to die, and we find that fact intolerable, so we build stories that insist our lives have enduring significance. Terror Management Theory (TMT), a later development in social psychology, puts this into experimental form: awareness of death creates deep anxiety, which we “manage” by embracing cultural worldviews that tell us what the universe is about and how someone like us can count as a person of value within it. Self‑esteem, in this framework, is not just a pleasant feeling; it is the sense of being significant in a meaningful world, and studies suggest it helps buffer us against the distress of mortality reminders.

From this perspective, the key human problem is not simply that we die. It is that death threatens to expose our lives as negligible. To counter that, TMT distinguishes two broad strategies: literal immortality and symbolic immortality. Literal immortality is religion’s core promise: the soul survives and goes on to Heaven, Hell, Nirvana, the next incarnation, or some all‑embracing oneness. Symbolic immortality takes over when that story no longer convinces; in that mode, we “live on” in children, nations, artistic or scientific work, institutions, or the memory of our name. Becker called these “immortality projects”: efforts to secure the sense that we were not just biological accidents but contributors to something enduring.

Once you see this, religion stops looking like a separate mental category and starts looking like one point on a spectrum of answers to the same question: “How do I matter?” At one end are formal doctrines of Heaven and Hell. Moving along the line, you encounter looser spiritualities in which “the universe has a plan for me” or “everything happens for a reason.” Farther still are nationalistic stories that promise relevance through being part of a chosen people or a “great nation,” and activist narratives that promise a place on “the right side of history,” another way of saying one will not be erased. Even overtly secular philosophies can function as immortality projects by promising that one’s work contributes to progress or to humanity’s “march forward.”

This is why simply stripping religion away and expecting rational enlightenment to flourish is naïve. The underlying need—to feel connected to something larger and more lasting than a single nervous system—does not vanish with doctrinal belief. Becker and TMT theorists are explicit on this point: the urge to secure meaning and symbolic permanence is built into our condition and cannot simply be “given up.” Secular people and atheists are not exempt; if anything, they are under more pressure to find non‑supernatural ways to meet the same need. Remove religion “cold turkey” without offering better ways to manage fear and irrelevance, and people are likely to trade familiar myths for newer ones: New Age movements, conspiracy cults, political messianism, or other systems that again place them at the center of some cosmic or historical drama.

The chapter “The Tao of Science” in Pandemic of Delusion addresses one common objection: that religion has a monopoly on the feeling of being connected to something greater. Classical Taoism, as described there, seeks oneness with the universe by suspending reason, treating rational thought as a barrier to harmony. Science takes the opposite route: it insists on reason and evidence, yet if that path is followed as far as knowledge allows, the sense of connection it delivers can be at least as powerful—and, crucially, grounded in fact.

Carl Sagan’s remark that “to make an apple pie from scratch, you must first create the universe” stands as a compact expression of this scientific “Tao.” It compresses 13.7 billion years of cosmic evolution into an everyday act, reminding us that the ingredients in a pie are the products of a long chain of natural events: post‑Big‑Bang matter condensing, stars forging heavy elements, planets forming, life evolving, agriculture emerging, and human culture inventing recipes. In that story, flour and sugar are star‑stuff, and the baker is a temporary arrangement of atoms produced in stellar interiors, briefly self‑aware, rearranging other atoms into dessert.

Science shows that the universe has a history and a kind of life cycle; it has been evolving in structure and complexity and will eventually “grow old and die.” Human evolution is not separate from that story but contiguous with it: atoms now organized as human bodies were forged in stars and cycled through countless organisms before taking this form, and they will return to the larger system. In that sense, we are not guests in the universe; we are the universe, in a particular configuration, looking back at itself. Recognizing this does not require any supernatural additions, yet it can provide precisely the sense of oneness and embeddedness that religious and spiritual systems promise.

Seen this way, science and fact‑based thinking do not leave a person forlorn and disconnected; they offer a way to feel relevant and connected without pretending the universe is designed around us. Our existence becomes meaningful not because a cosmic plan singles us out, but because a 13.7‑billion‑year chain of events has produced beings able to understand and influence a small part of that chain. For many, that realization can be not only intellectually satisfying but emotionally sustaining—an honest alternative to the fake constructs that proliferate when the need for relevance is denied rather than redirected into more grounded perspectives.

Modern culture adds its own twists to how we seek permanence. Contemporary information systems make it easier to spread comforting falsehoods and harder to maintain a disciplined, fact‑based view of the world. The same networks that propagate conspiracy theories and miracle cures also propagate stories about personal significance: follower counts, likes, and shares become continuous, numerical feedback on “do I matter?” in an attention economy. Celebrity culture intensifies this further. Commentators have noted that celebrities often seem to inhabit a kind of secular afterlife; their images and narratives remain visible and emotionally potent long after their deaths, sustaining fantasies of immortality for those who identify with them. Fame becomes a form of symbolic immortality in which the worst fate is not moral failure but obscurity.

If irrelevance is the real terror, this makes celebrity an especially seductive immortality project. It reframes significance as visibility: to be constantly seen is to count; to be forgotten is to vanish in a deeper sense than physical death. In that environment, it is unsurprising that many people’s immortality projects center on building a “personal brand,” collecting followers, or “going viral” at least once—even when these projects rest on distortion or spectacle rather than substance.

Donald Trump is a vivid example of a particularly toxic part of this spectrum. Over decades of interviews, his comments regarding an afterlife have been all over the map. What has been consistent is not any theology but an intense focus on visibility, branding, and ratings. His preoccupation is marking every enduring structure of society with his name. He wants history to remember him, and one is justified in concluding that, if given the choice of being remembered for a hundred years as a good president, or a thousand years as an infamous one, he would choose the latter.

In one reported exchange about Washington, D.C. monuments, he remarked that a previous leader “should’ve put his name on it” because “you’ve got to put your name on stuff or no one remembers you.” That line could serve as a plain‑language gloss on symbolic immortality: physical objects and institutions become canvases on which to inscribe “I was here” in as durable a way as possible. From a TMT standpoint, this is not mysterious pathology but an especially visible form of the same underlying process: the self turned into an immortality project, seeking not divine approval but inescapability in the human story.

Becker and TMT theorists are clear that this drive to secure meaning and permanence cannot simply be relinquished. The question is not whether people will engage in immortality projects, but which ones they will choose, and with what consequences. Religion, nationalism, celebrity worship, and various spiritual or ideological movements can all function as such projects—some relatively benign, others demanding denial of evidence or hostility toward those who threaten the story. Fact‑based thinking and science do not abolish the need but they do offer a way to satisfy it in ways more compatible with reality and with living alongside others.

From this vantage point, the most constructive stance is not simply “against religion,” but “for fact‑based thinking.” If habits of evidence, critical self‑correction, and scientific curiosity are cultivated, the appeal of fake constructs tends to weaken on its own, because it no longer feels necessary to sustain them. A person who understands themselves as a conscious fragment of a 13.7‑billion‑year‑old universe, embedded in networks of ancestry, ecology, and culture, does not need a fabricated cosmic destiny to feel that life matters; they can locate meaning in contributing to understanding, reducing harm, and leaving behind structures—ideas, practices, institutions—that continue to function after they are gone.

The call to action, then, is both personal and social. Personally, it is to recognize the fear of irrelevance in one’s own life—not as a flaw to be ashamed of, but as a feature of being a symbolic animal that knows it will die—and to choose, deliberately, which stories will be allowed to answer that fear. Socially, it is to build cultures, institutions, and educational practices that direct our hunger for significance toward projects that are reality‑based and humane: science, art, honest public service, durable communities, and fact‑anchored inquiry.

No one gets to opt out of the need to matter. But it is possible to decide that the ways we seek to matter will not be based upon delusions. In that sense, advocating for fact‑based thinking is not about taking away people’s sense of meaning; it is about offering a way to secure it that does not require golden idols, invisible plans, or committing mass shootings. Taking joy in being a brief, conscious expression of a very old universe is already a remarkable kind of relevance; the task is to let our stories, and our actions, appreciate and take comfort in that fact.

The Bodies Buried in St Mary Mead

I just published a new novella on Amazon Kindle (see here). If you love murder mysteries, Agatha Christie novels, or Miss Marple stories in particular, you might really enjoy this two to three hour read.

Here is the official description…

The quiet garden village of St Mary Mead was once home to the most famous string of murders in British history. Clara West remembers her great-aunt Jane only as a kindly old woman in an Edinburgh garden, and first met “Miss Marple” through the lightly fictionalised accounts made famous by Agatha Christie. Now, as a postgraduate criminology student, Clara returns to St Mary Mead to study the long-term impact of violent crime on a small rural community—and slowly uncovers more bodies buried in the village’s troubled past than even Christie imagined.

What Clara finds in her aunt’s neatly labelled files and in the memories of those who survived reveals subtle hints that point toward something unthinkable. The emerging truth threatens not just a cherished literary legend but an entire village’s sense of itself, exposing a disturbing history that should never be unearthed, but must not be left buried.

The Bodies Buried in St Mary Mead is both an homage to Miss Marple and a critical reexamination of her most famous cases, told in the quiet, deceptively gentle style of a vintage English village mystery. It asks what happens when a modern criminologist is willing to question the official accounts, and what it costs to expose the real truth behind a myth that has comforted generations.

Meticulously crafted and AI-assisted, this novella uses contemporary tools for research, fact-checking, and tonal authenticity, bringing a modern intelligence to the history we thought we all knew.

Hope you enjoy it!

The Very Presidential Cage Match

After several seasons of rehashed dialogue and tired plot twists, the Trump Show has finally hit its stride with a UFC cage match on the South Lawn. This is exactly what many of us have been waiting for: a leader who understands that presidential “dignity” and “decorum” are for losers. In the new America, our values are best exemplified by a steel cage, blaring walk‑out music, and the promise that someone will be bloodied on your favorite streaming service.

The crassness of the event doesn’t cheapen the office; it celebrates its crassness. Why pretend this place is about solemn duty when you can turn it into a premium fight venue with better production values and higher viewer ratings than most State of the Union addresses?

Critics keep asking, “Where’s the dignity?” But this is the dignity. This is exactly what it looks like when a country decides that cruelty is strength and restraint is weakness. You didn’t really think the culmination of that story arc was going to be a thoughtful speech in the East Room, did you? Please. We’ve all seen the trailer. And believe me, you ain’t seen nothin’ yet. Upcoming seasons of the Trump Show promise to make Homelander look like a Boy Scout with a publicist.

So get used to it, pansy‑ass liberals. Get used to a president grinning beside a cage, a crowd baying for blood, and a flag fluttering garishly over the spectacle put on for your entertainment. Trump promised greatness and he delivered in the form of a giant fight cage on the once‑hallowed White House lawn. In a way, it’s the most honestly revealing thing this president has ever done: no pretense, no paper‑thin decorum, just the rabid attention he craves and the crass spectacle we were eager to see.