I’m flying to Vegas this weekend to catch “Pat Benatar and Neil Geraldo: A Very Intimate Acoustic Evening.” I have been a fan of theirs since the 70’s and am thrilled to get to see them once again. Unlike so many other older artists who simply run on autopilot, Pat and Neil have just gotten better and better with age, reinventing themselves in fresh ways while still remaining unapologetically true to their rock hard roots. No longer having megastar status has actually freed them to be truly great. Rather than being carefully manicured by the contrived glitz of big concert venues, they truly shine in intimate settings where they can stroll out on stage and warmly greet the audience wearing sweat pants and holding Styrofoam mugs of coffee.
My upcoming concert trip inspired me to upgrade my music system. I used to have an admittedly insane $50K worth of audiophile equipment, but like many others I have gradually traded away all that great equipment for the convenience and unlimited access of the digital age. I know that many people are perfectly happy with their crappy ear buds (see here), and are convinced that high-end audio is just pretentious nonsense, like people who insist that a $1000 bottle of wine really is worth every penny. But whether you can hear it or not, to people who can and do appreciate fine audio, you get what you pay for.
While for a long time the very alluring benefits of digital libraries and streaming access have forced us to compromise on quality, the industry has made huge strides. The good news is that today most of us can now get really, really good quality for a very affordable price. You no longer have to invest $20K and dedicate a room to get very good audio that rates at least a B+.
But as a consequence, concessions to digital convenience has pushed the dream of an A+ quality experience even further out of reach. For a while, I feared that truly exquisite high end audio had been essentially killed by digital. But I am pleased that the industry is not remaining satisfied with mass market B+ audio. Streaming services have invested heavily in delivering high quality source material, and the traditional audiophile industry is catching up to provide new digital-friendly equipment that can take those who care enough to the heights of sonic rapture.
Yesterday I visited a local high end audio store here in Tacoma called Advanced Audio (see here). I have to say that the staff there were incredibly warm and friendly, not at all the cliché snooty types that all too often manage these stores. I picked up a Sonos Playbar for my television (see here). The audio is very nice for both music and movies. Certainly not audiophile quality, but excellent for the money with amazing ease of connectivity to all my digital equipment.
Victor, the owner of Advanced Audio, took me into a listening room to show off his combination of Sonos Connect, Auralic Altair, Macintosh MC275 tube amplifier, and small-format Focal Sopra N1 speakers. He let me listen to “Papa’s Roses” by Pat Benatar on the system. I’ve used this track as my reference piece for many years, along with a few others like “Big Love – Live” by Lindsey Buckingham. I know from experience that these songs simply get better and better as your equipment gets better.
I’ve auditioned Papa’s Roses on the best of the best and thought I knew how gorgeous it could be, but I was still blown away this time. I had never heard it reproduced this beautifully. It was like a heavenly orchestra of angels. The song was rendered with such exquisite detail as to bring tears to ones eyes.
I was particularly blown away because the source was streaming digital! It is very gratifying that the high end audio industry not gone the way of vinyl records. Instead, it has met the challenge to bring stunning quality to the digital world of music. Now it is true that if you want to experience this acoustic nirvana, you will have to fork out around $25K. But while out of reach for many, it is still good to know that it is out there waiting for you and yielding technical breakthroughs that will improve everything downstream.
If you decide to audition a high end system, I can offer some practical advise. While an expert like Victor can talk your head off with acoustic science and engineering, here are 10 simple guidelines to help you pick out the best system for you:
- Don’t be swayed by specs. They don’t matter in the final analysis. The only thing that matters is the listening test.
- Don’t be fooled by complexity. The best speakers I’ve ever found have been simple two-way speakers, not gimmicky contraptions with 38 emitters designed to wow the unsophisticated buyer.
- Bring your own source material that you know very well.
- Some systems only sound good with particular types of music. Unless you only care about a particular music type, audition a representative range of genres.
- Some systems only sound good with sufficiently high quality sources. This greatly limits what you can enjoy. If I cannot still enjoy my beloved but crappy-quality Nina Hagen recordings on a system, I don’t want it.
- If the salesperson won’t let you play your own source material, walk away. He or she is trying to cherry pick only that particular music that flatters the system and avoid music that exposes its flaws.
- Don’t be wowed by heavy bass. I don’t want a system that sounds like a woofer array in the trunk of a ’79 caddie.
- Look for natural balance, dispersion, and clarity that flatters all parts of the music. Every instrument should stand out clear as the clearest bell. You should hear fingers sliding on the frets, breath on the reeds, and the subtle reverberations of an actor speaking in a hallway.
- Test it at all volumes. A great system should sound full and satisfying at low volumes. It should also still sound great – and not tire you out – at 100+ decibels.
- Don’t be rushed. The only test that really matters is what I call the “can I walk away” test. Many systems will knock your socks off for a few minutes, then leave you fatigued and ready to enjoy some silence. A great system leaves you wanting ever more and more and more. You desperately want to play everything you own. You could listen for hours and not get tired of it. If you cannot stop listening, you’ve found the right system for you.
Claiming that the experience of true audiophile quality music enjoyment is just made up, is like claiming that watching Star Wars on your television is just as good as experiencing it at an extreme digital big screen 3D movie theater. Great music can only be fully appreciated with great music systems. And I am overjoyed that digital and audio technologies are today converging and synergizing to make that experience accessible to more and more people.
I really, really wanted to get to my backlog of scientific blog topics today, but was distracted once again by Shawn Spicer at his daily press briefing. In defending “Trump/Ryan Care,” he repeated perhaps a hundred times that “It is an economic certainty that increased competition unquestionably brings down costs.”
Both of these vulnerabilities are at the mercy of us, the public. If we work individually but in sufficient numbers we can bring him to his knees like an army of ants swarming to bring down an elephant – the Trumpephant.
It turns out that he or she is a Northern Flicker and they are well-known to north westerners because they are regionally infamous little drummers. Of course no one can say with certainty why they do this but we can speculate. They are peckers by nature. They peck out hollows for homes with their beaks, they peck to find food, and they peck produce a unique sound that attract mates or communicate with them. Hey, they have a very efficient and powerful little hammer, and when that is all you have…
I’m sure you have heard the term “tin pot dictator.” It refers to “an autocratic ruler with little political credibility, but with self-delusions of grandeur.” This pejorative was coined in the early days of the British Empire and it associates certain rulers with the cheap, disposable containers used before the creation of the modern tin can. Like the one on the right, these cheap cans boasted labels that portrayed the contents in a highly overblown and pretentious manner. But the common people were not all fooled. They knew full well that Dinner Time Brand coffee was not exactly the Royal experience promised on the label. Thus the term “tin pot dictator” spoke volumes to them.
No one, even his worst critics, can do anything but praise and applaud the dignity and bearing with which Obama and his family have represented the office of President. Yet, it is that very characteristic that we now feel compelled as a people to reject. So what do we do? We elect Donald Trump – a man who is the antithesis of dignity. A trash-talking trailer-trash President who is about as refined as Cousin Eddie played by Randy Quaid in the Vacation movies. We love Eddie because he is NOT dignified. Likewise we see Trump as a refreshingly frank person who is a great natural businessman.
An example of one such popular science article describes research by Professor Keith Stanovich (
You probobly assume that we Americans represent the Federation of the Star Trek universe. Not really. If anything, we are far closer to the Klingons – say otherwise and I will let you taste my bat’leth! Like the Klingons, we may be inept at maintaining our infrastructure, at providing affordable healthcare, at ensuring a good education, a secure retirement, or a working wage… but we are truly exceptional at waging war. We have far more military might than all other human civilizations combined. Our immense “defense” budget is sacrosanct and we subordinate every other priority to sustain it. We bring our armies down upon anyone who dares challenge us and have been involved in over a hundred wars in our short history (