Tag Archives: Media

Situational Journalistic Professionalism

I watched John Stewart interview CNN’s Caitlin Collins today. One could not help but be impressed by her steady professionalism. But at the same time I had to wonder, where was this kind of professionalism during the Biden administration? What I saw at the time was a press corps that often behaved more like a rabid mob. I didn’t hear much talk about journalistic professionalism at the time. Instead they repeatedly defended their overtly combative reporting as central to their journalistic duty to “get to the truth.”

It made me wonder how much of this talk about journalistic professionalism is a reaction to Trump; a posture, defense, and excuse adopted to protect themselves from criticism that they are too timid with this President. It made me wonder where those aggressive reporters from the Biden press room were today?

The White House press corps likes to imagine itself as a principled institution: adversarial but civil, skeptical but professional, always serving the public rather than its own performance. On paper, that’s even their job description — ask hard questions, shine light, hold the president to account. In practice, though, what we see looks less like fixed journalistic integrity and more like situational professionalism: the tone changes depending on which president is standing at the podium and how much disrespect the room can get away with — not how much respect the president actually deserves.

Look at Joe Biden’s Geneva press conference in 2021. CNN’s Kaitlan Collins shouted a question as Biden was leaving the stage, pressing him on why he was “so confident” Vladimir Putin would change his behavior after their meeting. Biden turned back, visibly irritated, and snapped, “Where the hell — what do you do all the time?” before later telling her she might be “in the wrong business” if she couldn’t see the meeting’s value. He eventually apologized, but the exchange is revealing: the press felt free to crowd him, shout questions, and keep pressing until they got a reaction.

That dynamic shows up again in the Biden-era briefings. In one 2024 age-and-debate fallout briefing, while reporters were pressing the White House for Biden to address his future directly, an off‑camera reporter quipped “If he’s awake” about the president. NBC’s Kelly O’Donnell immediately called it “inappropriate,” and the press secretary echoed that judgment. But the line only happened because the room had drifted into a mode where casually disrespectful asides about the president’s faculties felt thinkable in the first place.

Those moments aren’t isolated glitches. They sit on top of a structural reality that Biden “probably takes more questions overall” and does frequent informal Q&A, which gives the corps more opportunities to shout, overlap, and push. You end up with a press environment where the president’s openness becomes an invitation: the more he tolerates the noise, the more the corps turns toughness into a kind of blood sport.

Now set that next to Donald Trump’s long, combative press interactions. The man who called “fake news” the “enemy of the people” over and over again made the press into a personal foil, publicly attacking outlets and individual reporters from the podium and on social media. In one notorious coronavirus briefing, Trump literally played a campaign‑style video attacking the media’s coverage before lashing out at reporters who questioned his response, insisting “everything we did was right” while the media was “guilty”. CNN and MSNBC cut away and labeled the video propaganda. That’s not a calm professional exchange; it’s a president turning the briefing itself into a weapon against the press.

The Charlottesville press conference in 2017 fits the same pattern. Trump took questions in an aggressively defensive tone, arguing “both sides” were to blame and sparring with reporters about CEOs resigning from his manufacturing council and whether the violence counted as terrorism. The transcript reads like a tense negotiation, with the press trying to hold him to clear moral language while he pushes back on their framing. It’s adversarial, but the corps largely sticks to a more formal, single‑voice question pattern instead of the shouted swarm you see in some Biden clips.

Put bluntly: when the president reliably punches back, calls the press “fake news,” and threatens access, professionalism is a posture the press adopts as a defense. When the president absorbs the blows and apologizes, “professionalism” loosens into jokes about whether he’s awake and shouted questions that run right up to the line of personal disrespect. The standard isn’t the same; the risk profile is.

This is where “situational professionalism” comes in. If you only listened to the self‑image of the press corps, you’d think there was one unified ethic: adversarial, serious, fair. But the examples tell a different story:

  • With Biden, openness to questions correlates with the corps becoming louder, more overlapping, and sometimes casually derisive and contemptuous, because the likely consequence is at worst a scolding and later apology.
  • With Trump, the corps often presents a more pious, ceremonious face even while asking pointed questions, because retaliation — rhetorical and institutional — is a real threat.

The White House Correspondents’ Association itself emphasizes the noble language: “It is our job to report on the president… to shine a light and hold the government accountable,” framed as a tradition grounded in the First Amendment. That’s fine in theory. But when the everyday practice shifts based on how much pushback a given president will deliver, what we’re watching is less a fixed code and more a calibration: how far can we go today without paying for it tomorrow?

In that sense, civility for the corps becomes a function of the president’s temperament rather than a consistent journalistic principle. The same reporter who is comfortable shouting at a departing Biden may choose a more tightly controlled question with Trump, not because the underlying issues are less serious, but because the cost of triggering the president is higher. Professionalism becomes a slider, not a standard.

None of this means every reporter in the room is insincere. There are people who clearly try to keep the focus on the substance rather than on their own reactions or one‑liners, and there are moments when colleagues clamp down on crossings of the line, as O’Donnell did with the “if he’s awake” remark. But the broader pattern is hard to ignore if you watch enough of this stuff in sequence: the corps will happily perform toughness when the president lets them, and tout their restraint when the president punishes them.

If professionalism is only strict when retaliation is looming, then it’s not really professionalism. It’s self‑preservation in formal clothing. And if journalists want the public to trust that they’re acting on principle rather than opportunism, they need to close that gap: be just as careful with their tone when the president is easy to shout at as when he is itching to declare them the enemy of the people.

Otherwise, “professionalism” risks becoming just another situational costume — something the press corps puts on or takes off depending on who’s standing at the podium, how much they think they can get away with that day, and whether aggressiveness or respectfulness serves them better.

Cloud Angels

CloudAngelA recent article in People Magazine was entitled Texas Driver Spots ‘Spectacular’ Cloud Shaped Like an Angel: ‘How Awesome Is That?’ (see here).

Although the question was rhetorical – well actually it was meant as more a statement than a question – I’ll answer it anyway.

Not very!

The reality is that at any given moment of any day from any point anywhere on Earth, there are clouds that we could imagine bear some resemblance to something other than a billowy mass of condensed water vapor floating in the atmosphere.

Some of these clouds might resemble boats, or alligators, or elephants, or pretty much anything really. The limit is our imaginations. So it is fun, but not particularly newsworthy, to take note of the wacky shapes that clouds happen upon. That is, unless the image is religious, and in that case it is apparently quite newsworthy.

The truth is that of all the clouds, or pieces of toast, or rotten peaches, or paint stains, that look like something, we don’t get really excited about these random resemblances unless they resemble an angel, or Jesus, or Mother Mary, or some vague Saint. All this random stuff is just random, unless it has a religious connotation. In that case, random stuff is inspiring, proof of gods hand in the world, miraculous, and fascinatingly newsworthy.

This all speaks to our powerful mental ability to create patterns that conform to our particular confirmation biases. Moreover it also speaks to our intense desire and interest in any confirmation of our religious bias in particular.

And I can see how a cloud pattern, or some lichen on a rock create powerful imagery. I had one such experience.

I was on the beach in Costa Rica watching baby tortoises dauntlessly plunge into the ocean only to be thrown back onto the sand over and over again by the uncaring waves. It was late afternoon and I glanced up, only to stare in wonder at the sky. Directly in front of me were the very gates of heaven. A glowing pathway lead up from directly before me to a shimmering cloud platform. Upon it stood two gleaming pearly gates, connected by a vibrant golden archway, highlighted by dramatic halos of light. Within the great arch, in the distance, was a glowing point of light so divine that it could only have been the glow of god almighty.

The sight was so photo-realistically detailed and delineated with vibrant color and perfect proportions that it made the Texas cloud angel look like a child’s watercolor. I gaped in wonder for a moment before I thought to reach for my camera. But by the time I fumbled to work it, the lines had begun to blur, the light to diminish, and the effect to become far more abstract. That singular moment was past. Within minutes the gates of heaven were once again just one more set of abstract cloud shapes.

Given that experience, I can understand how primitive people might be so inspired as to believe they had actually glimpsed a heavenly place revealed to them in the sky. I can understand how they might have taken this as proof of heaven. Or, perhaps, thousands of years ago someone glimpsed a sight very similar to my own and created our modern imagery of heaven based upon that one powerful awe-inspiring moment.

But what I cannot understand and cannot excuse is any modern person today believing that some vaguely angel-shaped cloud is particularly inspiring or reassuring, let alone believed to be a message from god. And I find it doubly disappointing that a news outlet, even one that is merely reporting human interest stories, would preferentially pick out these kind of “sightings” to report, thereby depositing yet another straw of religious delusion on the already straining back of the reason and rationality of our culture.